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A deep crimson field, built in layers and glazed until the surface holds its own light. Graphite strands gather at the seam where the dark mass meets the red, and a thin gold rule surfaces at the lower edge.
A pale blue field between a dark canopy and a band of sand. Asemic writing runs across the upper edge in graphite, and a thin gold line holds the base. The pale curve enters from the left like a shoulder of land.
From The Rose Madder Trio - three paintings in conversation, built from color planes, raw linen, and fragments of earlier work carried forward. Each 36 x 36 in; available together or apart.
A troweled column of rose falls through the composition, its broken surface revealing the layers beneath. At its edge, a fragment torn from an earlier, wiped-away painting is collaged into the field — carrying its own history of marks into the new work. Graphite scribbles gather at the base.
From The Rose Madder Trio — three paintings in conversation, built from color planes, raw linen, and fragments of earlier work carried forward. Each 36 x 36 in; available together or apart.
A field of periwinkle blue, built in layers and scraped back to reveal warm underpainting, meets raw linen and a veiled white register. A single crimson note descends the linen’s edge, answered by a flash of red above. The navy wedge below anchors the painting’s quiet weather.
From The Rose Madder Trio — three paintings in conversation, built from color planes, raw linen, and fragments of earlier work carried forward. Each 36 x 36 in; available together or apart.
A yellow plane, warming from lemon to gold at its base, sits between a pink field and exposed linen carrying ghosted gestures. A dark bar holds the lower edge; a single drawn line escapes across the seam. The painting balances saturated color against passages of restraint.
Received an award of excellence and People’s Choice award at the Hopkins Art Center 31 Arts North International exhibition. Between Silence and Horizon explores the quiet space where water, sky, and memory meet. Layered blues and greys evoke shifting light and emotion, while subtle collage elements suggest what lies beneath the surface.
Time for Tea is a quiet, playful abstract that hints at domestic rituals and small pauses in the day. Soft washes of color, simple line work, and floating shapes create a sense of calm and gentle humor, inviting the viewer to slow down and linger—just like a cup of tea.